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The Lion King Magyar cím (Korhatár): The Lion King (12E)
The Lion King Eredeti cím: The Lion King
The Lion King Műfaj: Adventure, Family, Animation
Játékidő / Technikai információ: – perc
The Lion King Mozipremier : 15 June 19 9 4
The Lion King Forgatókönyvíró: Hans Zimmer, Hans Zimmer, Jeff Nathanson, Sarah Halley Finn, Mark Livolsi, Jonathan Roberts, Caleb Deschanel, James Chinlund, Elton John, Jon Favreau
The Lion King Filmstúdió: Walt Disney Pictures, Fairview Entertainment
The Lion King szereplők :
Chiwetel Ejiofor, John Oliver, James Earl Jones, John Kani, Alfre Woodard, JD McCrary, Shahadi Wright Joseph, Penny Johnson, Keegan-Michael Key, Eric André

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néz The Lion King online film teljes streaming uhd magyarul subs .hu 2019 The Lion King 2019 Teljes Film Online Magyarul Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The Lion King streaming film online teljes hd The Lion King 2019 review ‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.

People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …

I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.

One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.

Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).

JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.

I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.

I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.

Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.

In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!

Rating: A
_Vulgar Display of Dour_

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Its not as bad as Cats or Star Wars 9.**

Disappointing and inconsistent. 2019 seems to be the year where the big movies were made to look good, but are in reality vapid and this is no exception.
This looks good mostly (except when Simba is a "teenager" and a lack of genitals means that the animals do not look really real), but everything else is below average. Also, the "real-ness" of the animals make some scenes way more scary for children.

The choices made in this are....strange.
-The voice casting is weird (some African sounding, some American, and others in between) - like there was no plan.
-Extra scenes and dialogue do not add to the movie and even lessen it when compared to its predecessor.
-The way the songs have been re-done/ recorded are just wrong and **this is the first Zimmer score that I have not liked** in....forever (it feels like he just phoned it in).
-And a baby warthog suddenly appears at the end near Pumba, but no mother...WTF?
There is still a plot though, so there's that... which means its better than the shambles that was Rise of Skywalker or Cats.

Yet another movie to forget.

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Pokémon Detective Pikachu online videa teljes letöltés blu ray 2019 In a world where people collect pocket-size monsters (Pokémon) to do battle, a boy comes across an intelligent monster who seeks to be a detective. Miért a legtöbb ember rossz nézni Pokémon Detective Pikachu? Könnyen methode nézni Pokémon Detective Pikachu teljes film online ingyen. Ez az oldal a legjobb hely nézni Pokémon Detective Pikachu interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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Pokémon Detective Pikachu Magyar cím (Korhatár): Pokémon Detective Pikachu (12E)
Pokémon Detective Pikachu Eredeti cím: Pokémon Detective Pikachu
Pokémon Detective Pikachu Műfaj: Action, Adventure, Fantasy
Játékidő / Technikai információ: – perc
Pokémon Detective Pikachu Mozipremier : 19 April 19 5 6
Pokémon Detective Pikachu Forgatókönyvíró: John Mathieson, Nigel Phelps, Cale Boyter, Daniele Harford, Rob Letterman, Rob Letterman, Suzie Harman, Satoshi Tajiri, Satoshi Tajiri, Mary Parent
Pokémon Detective Pikachu Filmstúdió: Legendary Pictures, The Pokémon Company
Pokémon Detective Pikachu szereplők :
Ryan Reynolds, Justice Smith, Kathryn Newton, Bill Nighy, Ken Watanabe, Chris Geere, Suki Waterhouse, Josette Simon, Alejandro De Mesa, Rita Ora

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I’m going to write it straight away: I didn’t enjoy Pokémon Detective Pikachu as much as I wanted to. In some ways, it disappointed me. Now, you’re probably thinking “oh, he’s one of those people who never saw or played Pokémon in his life, and now he’s going to destroy the film because he never understood it”. Not even close. There are always three groups of people when it comes to these famous franchises that have massive fandoms: the hardcore fans who follow the respective saga since it was created and never once stopped supporting it; the fans who like or even love it, but either skipped or gave up at a certain point in time; the non-fans who never really got into it and don’t relate to any of what the previous two groups do.

I belong to the second group. I’m a fan of Pokémon, but since the end of the last decade that I stopped playing its video games and watching any series or movies about it. Nevertheless, I’m always as fair and impartial as possible to films and to the people who gave their all to deliver a great story. For hardcore fans, this movie might have everything you’ve ever wished for. Even I was able to understand that some scenes are filled (and I mean literally the whole screen) with references and Easter Eggs that the most dedicated fans will absolutely love. These moments alone can make you enjoy this film way more than fans like me.

However, we all know that while these sequences look fantastic and offer a lot of excitement, they are not enough to hold a narrative together or make it captivating. The Pokémons are gorgeous, and I found myself constantly in awe! Live-action will always have that crowd of haters that think the animated versions should stay animated, no matter what. There will always be people hating on these type of movies solely by the fact that they’re live-action. Honestly, I try very hard, but I can’t understand how people find an incredibly realistic Pikachu ugly or disgusting when it looks absolutely adorable and visually impressive. This will be such a long and exhausting debate throughout the 2020s, every time a live-action remake or adaptation is released, but I have faith people will come to accept it or even love it eventually.

Detective Pikachu main issues are the screenplay and most of the characters, no doubt about it. I understand that the production team had to shift the primary focus to the VFX regarding the actual Pokémons since a lot of the viewers will buy the ticket only to watch a beautiful real world filled with them, but the two pillars of any film should never be kept aside for too long: story and characters. Justice Smith portrays the only human character that has a compelling backstory and a likable personality. Yes, Kathryn Newton (Lucy Stevens) delivers a good performance, and she also might interpret a character that a lot of people can relate to, but from the moment Lucy has more to do in the movie, it’s like her development stagnated. However, Smith is brilliant as Tim and he showed a great range of emotions, making me not only laugh but also feel a bit emotional.

Sadly, these two are the only human characters that aren’t either a cliche villain who wants to rule the world or a paper-thin police or scientist who only serve as exposition devices. Honestly, this might be one of the most exposition-driven films of 2019. The amount of cheap and lazy information dumps spread across the runtime is too much to handle, especially when the same info is repeated several times. It unbalances the pacing and even the tone of the movie, making it dull during some periods. I’m rarely the guy who “wants more action”, but Detective Pikachu really needed more thrilling moments, preferably involving Pokémon. Of the few action sequences, most are just our protagonists running from something and jumping from cliffs. Very rarely we see actual Pokémons doing anything until the last act.

Rob Letterman shows that he has a lot of great qualities that a director should have, but he needs to work on his flaws and leave the screenwriting role to more experienced people. For such a mystery-driven story, the “mystery” part is pretty evident from the get-go, with a notable exception at the very end that I didn’t saw coming and ended the film on a high note. Pikachu is beautifully voiced by Ryan Reynolds and if you were worried that his voice wouldn’t blend with the yellow fellow, don’t be. Pikachu is extremely funny and charming, carrying the whole show on its shoulders with a little help of Psyduck. Cubone and Ditto also have some great moments, but Mewtwo is a beauty to behold, as expected. Even though I’m not a hardcore fan, I felt the “immersiveness” of the incredible Pokémon world that Warner Bros. built and that’s the best compliment I can give: I felt like I was in a real Pokémon universe.

All in all, Pokémon Detective Pikachu is fine. For hardcore fans, it might be everything you’ve ever wished for, but for fans of the 2000s Pokémon, who stopped following the franchise after the beginning of the new decade, the numerous Easter Eggs and references might not be enough to overcome the undeniable narrative issues. Justice Smith delivers an outstanding performance, and Ryan Reynolds nails Pikachu‘s voice, being extremely funny and unbelievably adorable. The CGI is ground-breaking, making the Pokémons astonishingly realistic and their world remarkably immersive. However, even if the movie ends with a terrific touch, the shallow characters, the heavy exposition dumps, and the not-that-mysterious mystery bring the pacing down and turn this live-action adaptation into just an okay one.

PS: regarding the curse of the video games cinematic adaptations, I already believe that Tomb Raider broke it with a good margin, but both Warcraft and Pokémon Detective Pikachu managed to just scratch the positive side of my reviews. You’re on the right track, but step up Hollywood!

Rating: B-
The core story is just... So dumb. And the dialogue between genuinely any two characters that doesn't involve the titular Pikachu made me **real** uncomfortable.

But I adore the world that holds it up. Watching _Detective Pikachu_ was like drinking hot chocolate by the campfire in winter. Even my roommate who had to be dragged to the thing kicking and screaming ended up having a wholesome good time.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The movie did not have the best story, it was very much like the original Pokemon the Movie where Ash dies, in the hands of Mewtwo, just switched up a little. The animation and visual affects were really well done. There were some funny parts, although a lot of it seemed really dry.
Having never played the "Detective Pikachu" game, I can't attest as to the film's faithfulness to the source material. As a movie on its own merits and with a passing knowledge of Pokemon, I found that I enjoyed this more than I thought I would going in. It has a decent narrative structure (although the villain reveal is a little out-of-left-field; they probably could have used a little more buildup) and likable if somewhat cookie -cutter characters. But, WOW, is the tone inconsistent! Most of the movie gets surprisingly serious and dark early on, and for parts of the film Ryan Reynolds feels more like comic relief. Expect emotional whiplash from this one. Still, it's a fair movie that at least fans of Pokemon will likely enjoy.

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Red Shoes and the Seven Dwarfs Magyar cím (Korhatár): Red Shoes and the Seven Dwarfs (12E)
Red Shoes and the Seven Dwarfs Eredeti cím: Red Shoes and the Seven Dwarfs
Red Shoes and the Seven Dwarfs Műfaj: Animation, Romance, Family
Játékidő / Technikai információ: – perc
Red Shoes and the Seven Dwarfs Mozipremier : 21 February 19 0 5
Red Shoes and the Seven Dwarfs Forgatókönyvíró: Geoff Zanelli, Matthew Jon Beck, Jang Moo-hyun, Jin Kim, Micah Dahlberg, Hong Sung-ho, Hong Sung-ho, Myun Young Jung, Uhm Young Sik, Juliano SungPil Choi
Red Shoes and the Seven Dwarfs Filmstúdió: Sidus, Next Entertainment World, Locus Creative Studios
Red Shoes and the Seven Dwarfs szereplők :
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No Manches Frida 2 Mozipremier : 21 August 19 9 5
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No Manches Frida 2 Filmstúdió: Epoca Films
No Manches Frida 2 szereplők :
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Zombieland: Double Tap Műfaj: Horror, Action, Comedy
Játékidő / Technikai információ: – perc
Zombieland: Double Tap Mozipremier : 17 November 19 7 6
Zombieland: Double Tap Forgatókönyvíró: John Papsidera, K.C. Hodenfield, Rhett Reese, Rhett Reese, Rhett Reese, Robert Fechtman, Christine Wada, Jeong Jeong-hun, Kami Asgar, Gavin Polone
Zombieland: Double Tap Filmstúdió: Pariah, Columbia Pictures, 2.0 Entertainment
Zombieland: Double Tap szereplők :
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- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-zombieland-double-tap-the-gangs-back-for-a-brainless-zombie-comedy-sequel
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you probably know by now, since I posted the original film's review a few hours ago, I loved the first Zombieland. I defend that it's a zombie cult classic, and I was genuinely pumped for its sequel. It didn't go through any external controversy (something quite rare nowadays), the cast didn't say anything wrong in the interviews (haters didn't have enough words to twist this time around), Ruben Fleischer returns as the director, as well as Rhett Reese and Paul Wernick (plus a new member, Dave Callaham) as the screenwriters. If a studio wants to do a 10-year sequel, it might as well get the creators and original cast back together, right?!

That's what I love the most about Double Tap. It didn't lose the original's essence, and it didn't forget what made it so successful. The cast's chemistry can be felt thousands of miles away, but the new additions also fit in seamlessly. Zoey Deutch portrays Madison, a purposefully stereotypical "dumb blonde girl" who has some of the funniest scenes as well as some of the most cringe-worthy (Deutch gives an excellent performance, though). And Rosario Dawson plays Nevada, basically a women version of Tallahassee (Woody Harrelson), which means she has a bunch of badass action sequences. As for the old gang, well…

Everyone delivers great performances, but this time, Harrelson really elevated his character. Not only does he have the expected awesome kickass moments, but he also offers some emotionally compelling displays. Emma Stone (Wichita) and Abigail Breslin (Little Rock) keep being amazing as their characters, and Jesse Eisenberg (Columbus) does get a bit too … Jesse Eisenberg, but it never stops feeling natural, having in mind how his character acts. These four are the heart of the whole show. Hence, getting the original cast back together is halfway through success, even more than in the first movie. Story-wise is where I do have some complaints, unfortunately.

Maybe it's due to the fact that I watched 2009's Zombieland just a couple of hours before Double Tap's screening, but I wish that Fleischer and his team were more creative. Sure, the original was 10 years ago, and not everyone is going to rewatch the original (especially not right before), so it's expected that a lot of classic moments are recreated in some shape or form. However, for an extended period, I felt that I was watching the exact same film, just with older characters. I know I'm going to hear some of Columbus' original famous rules, but there's a surprising lack of new ones. I know Tal is going to repeat some of his catchphrases, but he's an imaginative guy, he can think of fresh ones (which he does say in the last minutes, but still).

To move the plot forward or actually make the story happen, a lot of questionable things occur, and not in the sense of them not being rational (it's not like Zombieland is a groundbreaking piece of storytelling). It's the apparent lack of character development through all of the years that have passed, and I'm not addressing their personalities being the same (it's pretty normal). To create this movie, characters make decisions that don't feel right, having in mind they spent so much time together. It's impossible for love, trust, and emotional attachment not to be developed throughout such a long time. So, while Little Rock's arc is understandable and relatable, Wichita and Columbus' lacks convincing arguments, in my opinion. Both make decisions too dumb for such intelligent characters, but I guess "that's love".

Once again, the technical features that defined the original so clearly are seamlessly employed in its sequel. Beautiful production design, cool soundtrack, fantastic application of practical effects and real sets, which nowadays are getting rarer. The slightly longer runtime still manages to carry a fast pace, which is always a good attribute, and it's packed with thrilling, hilarious, bloody action sequences. Amusing pop culture references, and the most significant moment of all: Double Tap has one of the best, if not THE best, mid-credits scene of the year! Don't you dare leave the theater, it's right at the beginning of the credits, so stay in your seat!

All in all, Zombieland: Double Tap pays a decent homage to the original zombie cult classic by getting everyone (cast and crew) back together, and delivering yet another entertaining flick. By maintaining the essence of the first film, Ruben Fleischer is able to capture the outstanding cast's chemistry, as well as present those amazingly entertaining action sequences. Even though the central narrative isn't as straightforward and interesting as in the original, it's still captivating enough for the audience to care about. There is an excessive amount of callbacks to classic catchphrases, rules, or moments, which shows a bit of a lack of imagination to create new material. While it's not as funny or entertaining as the 2009's movie, it's still a good time. If you're a fan of Zombieland, definitely watch it! If not, well… Nut up and watch it or shut up and let others enjoy it.

Rating: B
_**Just as funny and irreverent as the original, even if it hits all the same beats**_

> _I'd rather die while I'm living than live while I'm dead._

- Jimmy Buffett; "Growing Older But Not Up" (1981)

The original _Zombieland_ (2009) was something of a sleeper hit, earning over $100 million against a $24 million budget, becoming the most financially successful zombie movie ever made, until it was surpassed by Marc Forster's asinine _World War Z_ (2013). Smart, funny, and self-aware, it didn't take itself too seriously, and it had bucket-loads of heart, but it was hardly a film crying out for a sequel. And as time passed, it seemed more and more unlikely such a sequel would happen. However, after a decade in development hell, _Zombieland: Double Tap_ has arrived, and boy is it one of the most unnecessary sequels I've seen in quite some time. However, as unnecessary as it is, it's also extremely enjoyable. It doesn't do a whole lot that wasn't in the original, but the irreverent sense of humour, fourth wall breaks, sharp character interactions, and, most importantly, shedloads of charm are all present and accounted for. Directed by Ruben Fleischer (who helmed the original) and written by Rhett Rees and Paul Wernick (who wrote the original), along with Dave Callaham, _Double Tap_ may not take too many risks, but it's a fine companion piece.

10 years after the events in the first film, the quartet is still together and still getting on one another's nerves – there's the neurotic but sweet Columbus (Jesse Eisenberg doing his Jessie Eisenberg thing), the crass but caring Tallahassee (a wonderfully acerbic Woody Harrelson), the sarcastic Wichita (a dead-pan Emma Stone) and the laidback Little Rock (Abigail Breslin doing a lot with the little she's given). As we meet them, they're in the process of taking up residence in the White House – Columbus and Wichita are still a couple, but recently, she's started to wonder if perhaps their relationship is more important to him than it is to her; Little Rock is now a young woman who resents the fact that Tallahassee still treats her like she's 11; and Tallahassee, for his part, hasn't changed an iota. After Columbus proposes to Wichita (using the Hope Diamond), she and Little Rock skip town, but she returns a month later, telling the others that Little Rock ditched her and headed to a supposed zombie-free commune. And so the trio reluctantly set out to find her. Along the way, we're introduced to Madison (Zoey Deutch, who completely steals the film), a millennial bimbo who's been holed up in walk-in freezer; Berkeley (Avan Jogia), a peace-loving hippie; Nevada (Rosario Dawson), a tough-as-nails Elvis aficionado; and Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch), who are eerily similar to Tallahassee and Columbus (the reveal of which was spoiled by the trailer). There's also a new breed of zombie, which is faster, stronger, and more intelligent than the regular kind, and which can only be killed with multiple head-shots.

And that's about it as far as the plot goes. The original film came at a time when the zombie genre was just starting to be taken more seriously – Danny Boyle's _28 Days Later_ and Juan Carlos Fresnadillo's _28 Weeks Later_ were released in 2002 and 2007, respectively, introducing all manner of innovations and turning many of the genre tropes on their head; Jaume Balagueró and Paco Plaza's _[•REC]_ films were released in 2007 and 2009, setting a new standard for found footage films; _The Walking Dead_ debuted in 2010, and for the first few seasons it was as well-reviewed a show as you could find (until it turned into repetitive self-parody). Zombies also featured heavily in video game franchises of the era, such as _Siren_ (2003), _Dead Rising_ (2006), _Dead Space_ (2008), and _Dead Island_ (2011). _Zombieland_ cared about none of that – it was, in fact, the inverse of such titles, a film that didn't take anything seriously, least of all itself.

With this in mind, although 10 years have passed and the landscape is very different, one of the sequel's most successful elements is that next to nothing has changed; in essence, it acknowledges the gap precisely by ignoring it. So, Columbus's opening voiceover specifically refers to the long break as he thanks us for choosing _Double Tap_ when there is such "_a wide choice of zombie entertainment_" and Madison tells Tallahassee his catchphrase is "_very 2009_", but the film as a whole feels as if it was shot immediately after the original. Of course, this is important insofar as in the universe of the franchise, the last decade has been very different to the last decade of our reality, so the filmmakers can't layer in too many contemporary references – although Columbus does mention how "_unrealistic_" _The Walking Dead_ comics are, there's a hilarious deconstruction of the concept of Uber, and there's a subtle allusion to Trump when Wichita sarcastically tells Tallassee he'd have brought "a real dignity" to the office of the presidency.

This factors into the performances as well, insofar as Columbus, Tallahassee, and Wichita are all broadly similar to how they were 10 years ago. Little Rock has changed significantly, but that's as much to do with the fact that she was a child in the original and is now a young woman. This lack of character development may sound like a bad thing, but really, the familiarity of the characters and their group dynamic has its own inherent charm, we welcome it because it's familiar, with the cast essentially doing the same things they did in the original. Speaking of performances, Zoey Deutch completely owns every scene she's in. Sure, the character is clichéd as all hell and, on paper, she should be all kinds of annoying, but that she isn't, is a testament to Deutch's warm performance, finding genuine pathos amidst the perpetually peppy and cheerful high-energy ditz. She also has great chemistry with the original cast, especially Harrelson. In fact, all of the new actors have terrific chemistry, which is nice to see insofar as effortless chemistry was one of the hallmarks of the original.

In terms of problems, as mentioned, the film doesn't do a whole lot that wasn't in the original – the characters are the same, the narrative beats are the same, the group dynamic is the same, the sense of humour is the same – and for some, this will certainly be an issue. Indeed, as much as I enjoyed the film, I would have liked to see it take more risks (there's certainly nothing here to rival the inspired Bill Murray cameo). Because of this blanket similarity, there is a sense in which the sequel isn't really its own thing, it's defined primarily by what the original did rather than forging its own path, and a lot of the meta-humour only works if you know the original. Another problem is that it fails to do much with an interesting set-up, which sees women chaffing against traditional gender roles and the identities conferred on them by men. Once the gang end up on the road, this theme is pretty much forgotten (even with the introduction of Nevada, who seems more like a man's idea of what a tough woman should be than her own person). There are also more than a few clichés, primarily in relation to Madison (as blond a character as you'll ever meet) and the one-note Berkeley (a weed-smoking gun-hating hippie, who is literally introduced by way of a sitar on the soundtrack).

_Zombieland: Double Tap_ is undemanding and doesn't completely justify its existence, but it also does justice to the original, and never for one second does it take itself seriously. The effortlessness with which it slots into the original's groove is either funny in its own right or poor writing, depending on your perspective, but the film is smart enough to know and acknowledge that it feels slightly out of place in 2019, in a way the 2009 original did not. And if a little of the spark has been lost, the warmth, the characters, the jokes, and the playfulness more than make up for it.

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The Curse of La Llorona Műfaj: Horror, Thriller
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The Curse of La Llorona Forgatókönyvíró: James Wan, Scott Martin Gershin, Walter Spencer, Walter Hamada, Richard Brener, Michael Owen, Joseph Bishara, Tobias Iaconis, Kurt Bryant, Dana Niu
The Curse of La Llorona Filmstúdió: Atomic Monster, New Line Cinema
The Curse of La Llorona szereplők :
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It’s not as bad as The Nun, let me write this straight away. If there’s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment.

He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of “character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.” Scenes like these aren’t scary anymore and they feel dated, as well as the typical origin story. There’s nothing new or exciting in an “urban legend turned true.” Fortunately, the backstory is simple, it isn’t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it’s just another common horror screenplay that the writers took from the scripts cabinet.

Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what’s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn’t help her already not-so-good script.

All in all, The Curse of La Llorona is … okay. It’s not near as horrible as The Nun, and honestly, that’s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares.

Close, but not close enough …

Rating: C+
Where I'm from, this was marketed as _The Curse of the Weeping Woman_ 'cause I guess Australia can't be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can't be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise.

I love seeing Linda Cardellini get work, but I don't know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like... Generally speaking. "Bad" might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label "good" though.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.

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Fall in Love at First Kiss Magyar cím (Korhatár): Fall in Love at First Kiss (12E)
Fall in Love at First Kiss Eredeti cím: Fall in Love at First Kiss
Fall in Love at First Kiss Műfaj: Romance, Comedy
Játékidő / Technikai információ: – perc
Fall in Love at First Kiss Mozipremier : 24 March 19 6 1
Fall in Love at First Kiss Forgatókönyvíró: Kaoru Tada, Frankie Chen, Zero Huang, Lala Hsu
Fall in Love at First Kiss Filmstúdió:
Fall in Love at First Kiss szereplők :
Darren Wang, Lin Yun, Kenji Chen, Cecilia Choi, Christopher Lee Ming-Shun, Christy Chung, Yi-Chen Tsai, Alina Cheng, Keelong Hsu, Kuo Shu-yao

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Shazam! Magyar cím (Korhatár): Shazam! (12E)
Shazam! Eredeti cím: Shazam!
Shazam! Műfaj: Action, Comedy, Fantasy
Játékidő / Technikai információ: – perc
Shazam! Mozipremier : 3 February 19 4 9
Shazam! Forgatókönyvíró: Michael Uslan, Benjamin Wallfisch, Dwayne Johnson, Maxime Alexandre, Toby Emmerich, Jeffrey Chernov, Walter Hamada, Peter Safran, Christopher Godsick, Richard Brener
Shazam! Filmstúdió: DC Entertainment, DC Comics, New Line Cinema, Warner Bros. Pictures, The Safran Company, Seven Bucks Productions, DC Films
Shazam! szereplők :
Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Adam Brody, Faithe Herman, Meagan Good, Grace Fulton, Michelle Borth, Ian Chen

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néz Shazam! online filmek letöltés teljes streaming uhd magyar subs videa 2019 Shazam! 2019 Teljes Film Online Magyarul A boy is given the ability to become an adult superhero in times of need with a single magic word. Shazam! streaming film online teljes hd Shazam! 2019 review Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
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Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
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First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...
The titular Shazam and has alter-ego Billy Batson feel like completely different characters. This is not unheard of for a superhero by any stretch, but when accompanied by a change of actor, it's a pretty jarring situation. I also have a hard time figuring out who the target demographic is with this thing. Seems all over the place.

But! at the end of the day, the most important question is "Did I enjoy _Shazam!_?" and to that the answer is still somehow yes. Probably the best that the DCIThoughSheWasWithUniverse has to offer (with the glaring exception of _Wonder Woman_).

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Zachary Levi is a hoot in this super-hero comedy reminiscent of the now classic Big with Tom Hanks. We get a solid first half, even two thirds, but why oh why do these movies almost always seem to revert to formula in the 3rd act? Been there, done that...
Second viewing and my feelings pretty much remain the same. Fun moments and Zachary Levi was very good in the leading role and although not terribly memorable, Mark Strong made for a fine villain, that said, some of the humor wasn't for me, although I did enjoy some of director David F. Sandberg's more horror-centric style shined through with the Seven Deadly Sins.

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