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Ponyo Magyar cím (Korhatár): Ponyo (12E) Ponyo Eredeti cím: Ponyo Ponyo Műfaj: Animation, Fantasy, Family Játékidő / Technikai információ: – perc Ponyo Mozipremier : 17 October 19 0 9 Ponyo Forgatókönyvíró: Hayao Miyazaki, Hayao Miyazaki, Joe Hisaishi, Toshio Suzuki, Atsushi Okui, Takeshi Seyama, Yōji Takeshige, Makiko Futaki, Noboru Yoshida, Koji Hoshino Ponyo Filmstúdió: Studio Ghibli, The Yomiuri Shimbun, Hakuhodo DY Media Partners, Mitsubishi, Lawson, Taikei Office, Asahi Soft Drinks Company, Toho Co., Nippon Television Network Corporation Ponyo szereplők : Yuria Nara, Hiroki Doi, George Tokoro, Tomoko Yamaguchi, Yuki Amami, Kazushige Nagashima, Akiko Yano, Shinichi Hatori, Tokie Hidari, Rumi Hiiragi
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The Sorcerer and the White Snake Magyar cím (Korhatár): The Sorcerer and the White Snake (12E) The Sorcerer and the White Snake Eredeti cím: The Sorcerer and the White Snake The Sorcerer and the White Snake Műfaj: Action, Fantasy Játékidő / Technikai információ: – perc The Sorcerer and the White Snake Mozipremier : 3 June 19 6 5 The Sorcerer and the White Snake Forgatókönyvíró: Tony Ching Siu-Tung, Charcoal Tan, Chui Bo-Chu, Yang Zi The Sorcerer and the White Snake Filmstúdió: Juli Entertainment Media The Sorcerer and the White Snake szereplők : Jet Li, Eva Huang, Raymond Lam, Wen Zhang, Charlene Choi, Vivian Hsu, Jiang Wu, Miriam Yeung, Chapman To, Lam Suet
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The Shack Magyar cím (Korhatár): The Shack (12E) The Shack Eredeti cím: The Shack The Shack Műfaj: Drama, Fantasy Játékidő / Technikai információ: – perc The Shack Mozipremier : 11 March 19 2 5 The Shack Forgatókönyvíró: William Steinkamp, William Steinkamp, Deborah Aquila, Declan Quinn, Joseph C. Nemec III, Aaron Zigman, John Fusco, Gil Netter, Tracey A. Doyle, David Hadaway The Shack Filmstúdió: Summit Entertainment, Netter Productions The Shack szereplők : Sam Worthington, Octavia Spencer, Tim McGraw, Aviv Alush, Sumire Matsubara, Radha Mitchell, Graham Greene, Gage Munroe, Megan Charpentier, Lane Edwards
The Shack online film 2017 teljes streaming 4k hd magyarul indavideo The Shack 2017 Teljes Film Online Magyarul After suffering a family tragedy, Mack Phillips spirals into a deep depression causing him to question his innermost beliefs. Facing a crisis of faith, he receives a mysterious letter urging him to an abandoned shack deep in the Oregon wilderness. Despite his doubts, Mack journeys to the shack and encounters an enigmatic trio of strangers led by a woman named Papa. Through this meeting, Mack finds important truths that will transform his understanding of his tragedy and change his life forever. The Shack streaming film online teljes hd The Shack 2017 review This movie was beautiful. I laughed, I cried. For all of you out there who either believe in God or question his existence please watch this movie. It will definitely renew your faith **If forgiving is that easily convincible, then welcome to the crime world!**
A novel based film. A religious themed film. It has a message, BUT could be a bad message for today's world. Because how the event was dealt with the story only encourages the crime, in reality. Wise people can say philosophically, morally, but not means every words practically applicable. The common people would get affected more. Other than that, I have no grudge on anything. If it has been just a fantasy and an entertaining film, excluding that Christian thing, I would have liked it better.
It was more like another 'What Dreams May Come', but less visual spectacular. On the other hand, there was an uneasiness in the development of what happened in the early stage of the story. They did not go for the detail, from the crime perspective, hence that mysterious event holds the key which we don't know exactly what happened to judge anything out of the film. So that part reminds 'The Lovely Bones'.
The story of a father whose little girl mysteriously disappeared on a camping trip. Now the struggling father to cope with the incident gets an invitation to meet the creators. His journey to the other side of the world, where he goes through a series of unexpected tests, and at the end, how his character changes are told in those remaining parts.
Worthington, Spencer, everybody was good. But the story is what I did not like. Like it was aimed for Christians only. But I believe not every Christian would agree with this story. I felt it was an unnecessary film. If it was fun like 'Bruce Almighty', the whole world would have enjoyed it. Too serious and very not acceptable message led this film to fall. No, it is not worth a watch for people with the open mind, unless this is what you were looking for.
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The Lion King Magyar cím (Korhatár): The Lion King (12E) The Lion King Eredeti cím: The Lion King The Lion King Műfaj: Adventure, Family, Animation Játékidő / Technikai információ: – perc The Lion King Mozipremier : 15 June 19 9 4 The Lion King Forgatókönyvíró: Hans Zimmer, Hans Zimmer, Jeff Nathanson, Sarah Halley Finn, Mark Livolsi, Jonathan Roberts, Caleb Deschanel, James Chinlund, Elton John, Jon Favreau The Lion King Filmstúdió: Walt Disney Pictures, Fairview Entertainment The Lion King szereplők : Chiwetel Ejiofor, John Oliver, James Earl Jones, John Kani, Alfre Woodard, JD McCrary, Shahadi Wright Joseph, Penny Johnson, Keegan-Michael Key, Eric André
néz The Lion King online film teljes streaming uhd magyarul subs .hu 2019 The Lion King 2019 Teljes Film Online Magyarul Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The Lion King streaming film online teljes hd The Lion King 2019 review ‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble. - Daniel Lammin
Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.
People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …
I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.
One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.
Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).
JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.
I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.
I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.
Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.
In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!
Rating: A _Vulgar Display of Dour_
_Final rating:★½: - Boring/disappointing. Avoid where possible._ **Its not as bad as Cats or Star Wars 9.**
Disappointing and inconsistent. 2019 seems to be the year where the big movies were made to look good, but are in reality vapid and this is no exception. This looks good mostly (except when Simba is a "teenager" and a lack of genitals means that the animals do not look really real), but everything else is below average. Also, the "real-ness" of the animals make some scenes way more scary for children.
The choices made in this are....strange. -The voice casting is weird (some African sounding, some American, and others in between) - like there was no plan. -Extra scenes and dialogue do not add to the movie and even lessen it when compared to its predecessor. -The way the songs have been re-done/ recorded are just wrong and **this is the first Zimmer score that I have not liked** in....forever (it feels like he just phoned it in). -And a baby warthog suddenly appears at the end near Pumba, but no mother...WTF? There is still a plot though, so there's that... which means its better than the shambles that was Rise of Skywalker or Cats.
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Spectre Magyar cím (Korhatár): Spectre (12E) Spectre Eredeti cím: Spectre Spectre Műfaj: Action, Adventure, Thriller Játékidő / Technikai információ: – perc Spectre Mozipremier : 2 September 19 6 3 Spectre Forgatókönyvíró: Thomas Newman, Sam Mendes, Anna Pinnock, John Logan, Dennis Gassner, Ian Fleming, Lee Smith, Bill Bernstein, Daniel Craig, Jany Temime Spectre Filmstúdió: Columbia Pictures, Metro-Goldwyn-Mayer, Eon Productions, Sony Pictures Releasing Spectre szereplők : Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Monica Bellucci, Dave Bautista, Andrew Scott, Rory Kinnear
Spectre videa film letöltés 2015 néz online hd Spectre 2015 Teljes Film Online Magyarul A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE. Spectre streaming film online teljes hd Spectre 2015 review Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.
As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.
In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.
Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?
One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.
Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.
Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).
We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.
As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.
Spectre (2015)
Sony Pictures
2 hrs 28 mins.
Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott
(c) Frank Ochieng (2015) A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.
Nothing else really new ... > Not your usual Bond movie, but still a good entertainer.
What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.
The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.
You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.
7/10 FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/spectre-spoiler-free-review
"Spectre fails to reach the tremendous potential of its intriguing narrative and fascinating antagonist, but Sam Mendes still pulls off a decent James Bond flick.
The screenplay raises significant issues with an incredibly dull subplot that deeply affects the pacing of a bloated runtime. In addition to this, Christoph Waltz's lack of impactful screentime is disappointing, to say the least, despite a brilliant performance from the actor.
Fortunately, the jaw-dropping action set pieces elevate the overall film, which also benefits from gorgeous cinematography (Hoyte van Hoytema) and exceptional acting across the board. Daniel Craig and Léa Seydoux's characters relationship is emotionally compelling, making Bond's mission feel more like an interesting personal journey.
One of the best movies of the franchise is buried somewhere under the messy screenplay, but what can be found at the surface has much to appreciate."
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TRON: Legacy online videa néz teljes filmek alcim előzetes hd dvd 2010 Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world. Miért a legtöbb ember rossz nézni TRON: Legacy? Könnyen methode nézni TRON: Legacy teljes film online ingyen. Ez az oldal a legjobb hely nézni TRON: Legacy interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.
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TRON: Legacy Magyar cím (Korhatár): TRON: Legacy (12E) TRON: Legacy Eredeti cím: TRON: Legacy TRON: Legacy Műfaj: Adventure, Action, Science Fiction Játékidő / Technikai információ: – perc TRON: Legacy Mozipremier : 16 February 19 3 8 TRON: Legacy Forgatókönyvíró: Christopher Boyes, Steven Lisberger, Steven Lisberger, Donald Kushner, Sarah Halley Finn, Kyrsten Mate, Heike Brandstatter, Coreen Mayrs, Michael Wilkinson, Kevin Ishioka TRON: Legacy Filmstúdió: Revolution Sun Studios, Walt Disney Pictures, LivePlanet, Prana Studios, Sean Bailey Productions, Kontsept Film Company TRON: Legacy szereplők : Garrett Hedlund, Jeff Bridges, Olivia Wilde, Bruce Boxleitner, Michael Sheen, James Frain, Beau Garrett, Yaya DaCosta, Serinda Swan, Elizabeth Mathis
TRON: Legacy online filmek 2010 teljes streaming hd magyarul 720p subs TRON: Legacy 2010 Teljes Film Online Magyarul Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world. TRON: Legacy streaming film online teljes hd TRON: Legacy 2010 review Where do you start with Tron: Legacy? It’s a sequel to a minor cult hit that arrived in theaters 28 years ago, a film more renown for its (at the time) state-of-the-art design than its coherent story or classic characters, rekindled now not as a reboot or remake, but as a direct sequel to that long-ago work.
Tron's esteem may have grown in the intervening years (much the same fate as another maligned-at-the-time science fiction film, Blade Runner), but time has been mostly unkind to it; Disney attempted to stage a run of pre-LEGACY screenings of the original film, but modern audiences greeted its dated appeal as unintentionally hilarious. Frightened by the impact this might have had on their $170 million spectacle, they pulled plans for a theatrical release, and whisked the recent 25th anniversary DVD off of store shelves. And so, bereft of a childhood that contained Tron, I went into the sequel with naught but a Wikipedia plot breakdown (which was, to be honest, frustratingly informative) to fill in what turned out to be largely irrelevant narrative gaps. I say that to say that I am reviewing Legacy solely for Legacy's sake, untainted by nostalgia or high expectations.
More than two decades after the events of the first film (which, for the uninitiated, involve a computer programmer [Jeff Bridges, reprising his role] being zapped from the physical world into the computer world he created and fighting an oppressive digital tyrant within), we’re introduced to that computer programmer’s twenty-something kid, heir to his father’s tech empire and not terribly happy about it. It seems he’s still hung up on his father’s mysterious disappearance long ago, and a mysterious message leads to him discovering Dear Old Dad’s secret underground lab, where he’s accidentally zapped into the digital world as well. I’m afraid I’m not spoiling anything to go ahead and say that within he finds his trapped father, and they must fight their way back out. To give more plot details would be unfair and pointless. Suffice to say that once within the digital realm, it becomes action beat after action beat wherein our young hero rescues dad and his requisite romantic interest until the film ends.
Oh sure, there are good guys, and there are bad guys, and there’s a token stab at depth, but what does it matter? That digital world looks really cool, right? And that’s why we go. The sad truth of the matter, however, is that what looks awesome in a two-minute trailer begins to wear on the eyes when presented long-form. “The Grid” exists in three colors: neon blue, neon orange, and black. Well, two colors and an absence of color, I suppose. As nifty as this may seem, two-plus hours of this (particularly at the reduced light offered by 3D projection) robs it of interest, and the whole thing becomes a dull slog. 3D works by enhancing depth, but little to no depth is present when the film is lit and shot in such a stylized manner. To boot, only the bad guys are orange. And as our audience proxy characters are good, we’re robbed even of the contrasting orange to break up the monotony.
There are some neat sequences, of course: the initial lightcycle battle, a digital dogfight later on, etc. Garret Hedlund and Oliva Wilde are perfectly fine in their frankly bland roles, and Jeff Bridges squeezes what depth he can into his dual characters (actual Kevin Flynn and his twenty-years-younger digital duplicate, thanks to some unnerving but nifty visual trickery). The film is far from the unwatchable dreck of, say, The Chronicles of Narnia: Voyage of the Dawn Treader. It’s just...not very interesting. Techno group Daft Punk’s score was easily the best part of the film, and something I’d actually recommend picking up with no hesitations. At its best, the Daft Punk score and stylized imagery (early in the film, before it wears you down) do provide a unique and imaginative experience. It’s just one fit for the length of a music video, not a feature film.
But let’s not kid ourselves: Tron: Legacy is a flashy, ridiculous spectacle that exists solely to put pretty pictures onscreen for two hours and drive a $4+ 3D surcharge. And I say that with no judgment. Some films simply are what they are, and you’ve no more right to expect a dog to meow than to glean from them deep meditations on the human condition. The history of cinema is full of this kind of shallow but aloofly entertaining distraction. But is it wrong to want more of these kinds of films? Take Star Wars, for instance: its strength lies mainly in its revolutionary aesthetic and special effects, but it’s the characters that we remember from the film, not just how cool some set-piece looked. And Lucas isn’t even a terribly good writer; the strength of his characters came from that universal pull all great archetypes have, that ability for audience identification and empathy. Will the name Sam Flynn have the same kind of longevity? What about...uh, Oliva Wilde’s character? Apparently not, at least for me. (Note: IMDb says it’s “Quorra.”) If nostalgia for the first film is strong for you, or you’ve no qualms about paying $14+ for a mildly-distracting if uninvolving experience, go for it. Everyone else may as well save themselves the money. Maybe catch it on Blu-ray.
I should note, though, that I can honestly say 3D added nothing to the experience, so if you want to be able to actually see in The Grid, save yourself the money and hop into a 2D seat. A massive upgrade on the first film, at least for someone like me who certainly doesn't enjoy the 1982 production.
'TRON: Legacy' is much more vibrant, developed and tangible. I actually formed a connection with the characters in this one, which is the complete opposite to the original. The special effects (bar the de-aging) are a vast improvement, which is to be expected in fairness; I love the look of this.
It's nice to get a proper view into the 'outside' lives of the protagonists, rather than receiving a tiny backstory before shoving them into the new universe; I appreciated the build-up to the eventual entry. The score is also terrific, even if it's strange hearing Daft Punk's "Outlands" due to my familiarity of it coming from Sky Sports UK's Formula 1 opening credits.
Garrett Hedlund is great in the role Sam, I enjoyed his performance from the get-go. Jeff Bridges is excellent too, I feel all the actors in general were given much more to work with in this one; I barely took notice of Bridges (& Co.) in the predecessor, but he stands out big here. Olivia Wilde and Michael Sheen are good, also. Cillian Murphy even makes a minute appearance.
It does, at least to me, feel like a very different film when compared to 'Tron', which may disappoint lovers of the latter but will be relief to opposing folk; e.g. me.
Wasn't sure what to expect from this, but thankfully it produces an entertaining time.
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