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Friday the 13th Magyar cím (Korhatár): Friday the 13th (12E) Friday the 13th Eredeti cím: Friday the 13th Friday the 13th Műfaj: Horror Játékidő / Technikai információ: – perc Friday the 13th Mozipremier : 2 June 19 8 5 Friday the 13th Forgatókönyvíró: Tom Savini, Tom Savini, Tom Savini, Julie Hughes, Barry Moss, Harry Manfredini, Sean S. Cunningham, Sean S. Cunningham, Victor Miller, Barry Abrams Friday the 13th Filmstúdió: Georgetown Productions Inc., Sean S. Cunningham Films, Paramount Friday the 13th szereplők : Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Jeannine Taylor, Kevin Bacon, Mark Nelson, Robbi Morgan, Peter Brouwer, Rex Everhart
Friday the 13th online film teljes streaming 4k hd magyarul 1980 Friday the 13th 1980 Teljes Film Online Magyarul Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning. Friday the 13th streaming film online teljes hd Friday the 13th 1980 review Clearly, the team behind “Friday the 13th” expected at least to make a reasonable profit out of it, but I seriously doubt that anyone involved in the making of this film even considered the possibility of it becoming the cult classic that it is today. Victor Miller, who wrote the story, openly admitted that he was riding off the success of Halloween (1978). The late actress Betsy Palmer even claimed that, after reading the script, she thought the story was trash (well… she actually used another word), but she took the job because she needed a new car. Little did she know when she took the role that her character would immortalize her as one of the biggest horror icons of all times.
Yes, it is evident that Victor Miller and Don Mancini capitalized on the success of Halloween (1978), but the truth is that “Friday the 13th” manages to stand out on its own, and in the end, other than being two slasher films about a killer who prowls around murdering teenagers; these two films don’t really have that much in common. To this day, John Carpenter’s “Halloween” is considered a more “serious” horror film (for the lack of a better word), while “Friday the 13th” remains a classic, but is still seen as a less underappreciated respectable flick. Why? Probably because, even though I absolutely love it, I will admit that “Friday the 13th” certainly has a campy nature (no pun intended). In my case, I don’t mind the campiness, I actually enjoy it.
In “Friday the 13th”, the story begins in 1958, in a summer camp named Camp Crystal Lake. We see two young camp counselors who are about to have sex, when someone appears out of nowhere and murders them both. We don’t get to see who the killer is, since the murders are shown in a point-of-view shot, and the reason behind the murders is not yet explained either. The story then jumps to 1980 and it focuses on Alice, a young and sensible girl who, along with other kids of her age, is hired as a counselor by a man who attempts to reopen Camp Crystal Lake. Unfortunately, someone doesn’t seem too thrilled about the reopening of the place, which will lead to a series of gruesome murders. Could it be the same person who killed those two counselors back in 1958? In the end, it is Alice who will have to come face to face with the killer and fight for her own life.
*Spoilers ahead*
Plot-wise, “Friday the 13th” may not be too remarkable, but it doesn’t really need to be either. I could be wrong, but I believe this film first introduced the formula that consists on: a summer camp as a scenario, a pinch of mystery, plentiful gore, creative deaths and a gratifying reveal towards the last minutes. Just like this film attempted to ride off the success of a previous slasher, ironically, “Friday the 13th” itself ended up generating a bunch of (arguably) inferior clones as well. Of course, commercial success doesn’t necessarily imply quality, but I do think “Friday the 13th” has a certain something that makes it appealing to a lot of people.
For the most part, the characters in this film seem somewhat generic and one dimensional, which is a common attribute in slasher films. There really isn’t much of a character development, and we don’t get to know them very well. Most of the victims are young boys and girls who seem to be in the camp to have a good time themselves, rather than working hard to make the children happy. Surely, these characters don’t really deserve to die for being immature and silly, but at the same time, it is hard to feel too bad for them either. However, the first character that gets killed after the time-jump seems genuinely sweet and caring, so one obviously feels bad for her when she is brutally murdered, just for being naïve enough to trust a stranger. I think this death after the time-jump was a perfect move, because it sets the tone perfectly for what is going to happen later: a bunch of innocent young people will be brutally murdered without having done anything to deserve it.
The acting in “Friday the 13th” is mostly plain or, in some cases, over the top, which, along with the silly dialogs and lines, provides the film with an enjoyable campy nature. The late Betsy Palmer, who played the role of Mrs. Pamela Voorhees, was nominated for a Razzie Award, and while I love the character of Mrs. Voorhees and I felt bad to hear about Palmer’s passing, I can understand why she was nominated. It’s true, Betsy’s portrayal of Jason’s mother is over the top and it can appear as unintentionally funny during her delivery of some of her lines, but at the same time, I’m not sure if I can imagine the character being played differently at this point. Then we have Crazy Ralph, literally jumping out of a closet, telling the kids to leave, because they’re doomed and that Camp Crystal Lake has a death curse. This character, aside from being called “Crazy” Ralph, (in case anyone didn’t notice that he was crazy in the first place), is perhaps one of the campiest characters in the slasher subgenre, which earned him an iconic place in the franchise and even a small part in the first sequel.
“Friday the 13th” offers a nice variety of gory murders, with Tom Savini in charge of the makeup effects, which is an undeniable seal of quality. The legendary “axe in the face” death scene is perhaps one of the most memorable parts of the film for many fans. In this scene, Sean Cunningham and Tom Savini not only offer a morbidly satisfying and shocking on-screen death, we also get a lot of tension and suspense preceding the murder, which creates a feeling of panic and desperation.
The final confrontation between Alice, our final girl, and Mrs. Voorhees, Jason’s vengeful mother is really extensive for a good cause, as it helps to build a lot of tension that culminates with a gruesome murder. To some extent, when Mrs. Voorhees suddenly appears out of nowhere and begins to tell the story of what happened to that “poor boy”, it is easy to assume that she is responsible for the carnage, or at least, that she is involved to a certain degree. Up until this point, we had never seen her before throughout the entire film, so why is she popping out now? There are no other supporting characters left to blame for the murders and Mrs. Voorhees shows up the exact moment when things got really ugly? What could she be doing at Camp Crystal Lake in the middle of the night, other than murdering boys and girls? Of course, our final girl, even though she is not unintelligent, seems to be somewhat oblivious of what is really happening and this is what makes up want to scream “Get out of there!”. Mrs. Voorhees is basically explaining the whole story to the audience, but at the same time, she is subtly revealing herself as the killer, before going into a weird trance, in which she starts talking as if she is possessed by Jason, her own son, who drowned at the lake (I always considered this like a switched version of Norman Bates and his mother).
As mentioned before, the acting in this final confrontation is not exactly brilliant and the audience ends up getting more than they probably needed to understand the story, since Mrs. Voorhees’ monologue basically goes into detail of what happened, just to make sure we get it right (just like when they make sure that we understand that Ralph is a crazy old man, by calling him “Crazy Ralph”). Regardless of the over the top acting and the spoon-feeding to the audience, the confrontation is full of tension, and it is still considered one of the most memorable “killer reveal” moments in the history of horror for a good reason. Some films benefit with time, maturing and holding a nostalgic charm. Others rot like a bad apple, like _Friday the 13th_. Perhaps I had to be alive in 1980 to actually appreciate this one, but it is really not as groundbreaking as some people like to think it is, rather another spin on films like _Psycho_ and _Halloween_, minus the budget. And the acting. Certainly not the first slasher movie, but arguably the most influential.
This original film stands alongside _Part V: A New Beginning_ as the only two movies in a 12 film long franchise where they play the killer as a mystery, I think that premise would wear thin had they tried it every go around, but here it is executed, if not masterfully, at least to the film's benefit. _Friday the 13th_ is a movie I'll watch at least once a year, ever since I first saw it in the early 2000s. Maybe it's not the best movie ever, or even the best slasher movie ever, Hell, maybe it's not even the best Friday the 13th movie ever, but the fact that I'm not sick of it yet has to count for something.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._ ***The beginning of the most successful slasher franchise***
Released in May, 1980, "Friday the 13th" was produced in the wake of the success of 1978's "Halloween" and also shares elements of 1976' "Carrie." The story revolves around a cursed summer vacation spot, Camp Crystal Lake, New Jersey, and the slayings of young camp counselors. Critics slammed the film and I'm not sure why since it's in the same league as the acclaimed "Carrie" and "Halloween." Regardless, it was hugely popular at the box office, making far more than any of the sequels until "Freddy vs. Jason" in 2003. As of this writing there are 12 movies in the franchise and another in the works, making it the most successful slasher series and one of the most successful franchises of any genre.
I'm not a gorehound at all and only occasionally watch slasher flicks, but I'm a huge fan of the "Friday the 13th" franchise. Why? It has nothing to do with nostalgia since I didn't become a fan until I was well into adulthood when I saw 1985's "Friday the 13th Part V: A New Beginning" on TV one night. I think I like these movies because they typically involve young adults in a fun camp-type environment in the woods, which naturally stirs fond youthful memories (not that I'm that old); the presence of a lunatic unstoppable killer, who becomes more and more of a hideous monster, just adds an air of danger and suspense to the dramedy and adventure. Add scores of gorgeous females and various filming locations around North America and you have a fabulously entertaining franchise that has yet to end.
Speaking of the women, this first movie is highlighted by Annie (Robbi Morgan), Alice (Adrienne King) and Marcie (Jeannine Taylor) with honorable mention to Brenda and Claudette, the latter from the opening 1958 segment. As far as dudes go, a youthful Kevin Bacon is on hand as one of the counselors.
As for the filming locations, this one was shot in the remote townships of Hardwick, Blairstown & Hope, New Jersey. It's interesting how none of the films were shot at the same location even though, typically, the location in the story is Camp Crystal Lake and that general vicinity. Other locations include Connecticut (II & IX), California (III, IV, V), Georgia (VI), Alabama (VII), British Columbia (VIII & XI), New York City (VIII), Toronto (X & XI) and Texas (XII).
It's the camp-like settings of most of the franchise and the unstoppable monster that is Jason Voorhees (and the demonic thing that possesses him, his mother and others, as disclosed in 1993’s “Jason Goes to Hell”) that especially sets "Friday the 13th" apart from similar franchises.
Concerning the tone, the first two films are serious in nature with the expected antics of youths on vacation in the woods, but the franchise introduced a campy element in Part III, which rears its head in several entries (V, VI, IX and X) until the reboot in 2009. Not that I'm complaining much, as these films are only quasi-believable anyway. Speaking of which, the only thing questionable about this first film, as far as realism goes, is how the killer is able to throw an adult corpse through a window or hang a body from a door, etc. But I suppose these things can be attributed to the powerful psycho Voorhees gene (or the hellish entity that possesses them).
Many people find these films scary and shocking and the first two movies have some slightly chilling aspects, some of the others as well, I guess, but, with the exception of the 2009 reboot, I don't usually find these movies particularly scary. They're sometimes creepy, sometimes suspenseful, sometimes exciting and always entertaining, but not scary (although there are numerous jump-scares, of course). In fact, I usually bust out laughing at the inevitable death scenes.
I give "Friday the 13th" a high rating because it IS an effective film in the oft-maligned slasher/horror genre, not to mention it’s iconic and kicked-off this amazingly successful franchise. No genre is beyond redemption if done right; and that's the case here.
The film runs 95 minutes.
GRADE: A-
Seems only fitting to watch this today and still holds up really well and Betsy Palmer was really creepy. Have to think a newer generation of teens or those in their early 20s probably would find this mild compared with other horror movies, but I kind of like the simplicity of the story and kills.
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...Somehow still less dumb than _Halloween 6_.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ _**Serviceable, but pedestrian and comic booky entry**_
Several college youths agree to be part of a reality TV show where they stay in the dilapidated Myers’ residence in Haddonfield, Illinois. Unbeknownst to them, Michael is still alive and has returned to his home town after stopping by the asylum to visit Laurie (Jamie Lee Curtis).
"Halloween Resurrection" (2002) is the seventh installment of the Michael Myers saga (not counting the unrelated “Season of the Witch”) and is the final film in the series until the remakes. It gets a lot of hate because of what happens in the opening act and the inclusion of Busta Rhymes, but it’s serviceable and definitely superior to the lousy “Halloween: The Curse of Michael Myers” (1995). It’s just kinda unimaginative and cartoonish with several bits being hackneyed or predictable by this point.
The feminine department includes Daisy McCrackin (Donna), Katee Sackhoff (Jen), Bianca Kajlich (Sara), and Tyra Banks (Nora). The beautiful women wandering around a rundown domicile and dying one-by-one is reminiscent of “Death Tunnel” (2005) but without the amazing cinematic artistry (even though it cost $11.5 million MORE), not to mention “Death Tunnel” has better women.
"Halloween 4" (1988) is easily the most entertaining of the original series, followed by "Halloween 5" (1989) and “H20” (1998).
The movie runs 1 hour, 34 minutes and was shot mostly in the Vancouver, British Columbia, area with the Hillcrest Academy sequence done at Silver Lake, Los Angeles.
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Batman v Superman: Dawn of Justice Magyar cím (Korhatár): Batman v Superman: Dawn of Justice (12E) Batman v Superman: Dawn of Justice Eredeti cím: Batman v Superman: Dawn of Justice Batman v Superman: Dawn of Justice Műfaj: Action, Adventure, Fantasy Játékidő / Technikai információ: – perc Batman v Superman: Dawn of Justice Mozipremier : 27 April 19 8 5 Batman v Superman: Dawn of Justice Forgatókönyvíró: Hans Zimmer, Charles Roven, Bill Coe, Christopher Nolan, Emma Thomas, David S. Goyer, David S. Goyer, Frank Miller, Lora Kennedy, Bob Kane Batman v Superman: Dawn of Justice Filmstúdió: Warner Bros. Pictures, RatPac Entertainment, DC Comics, Atlas Entertainment, Cruel & Unusual Films, DC Entertainment Batman v Superman: Dawn of Justice szereplők : Ben Affleck, Henry Cavill, Jesse Eisenberg, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Holly Hunter, Laurence Fishburne, Callan Mulvey
Batman v Superman: Dawn of Justice videa film letöltés 2016 néz online Batman v Superman: Dawn of Justice 2016 Teljes Film Online Magyarul Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before. Batman v Superman: Dawn of Justice streaming film online teljes hd Batman v Superman: Dawn of Justice 2016 review Awesome moview. Best Action sequence.
**Slow in the first half** One would think that the ultimate showdown between two of the most iconic super-heroes would make for some downright compelling action-oriented exploits against a landscape of angst and destruction. Plus, it certainly did not hurt that exhilarating filmmaker Zack Snyder (‘300’) was at the helm in bringing together the colorfully and concocted confrontation between The Caped Crusader and The Man of Steel. Also, it should have been an effortless task to bring together **Batman v Superman: Dawn Of Justice** leading men Ben Affleck and Henry Cahill since they had prior experiences donning heroic attire as mighty super-heroes on call to save the day. So why then does Snyder’s big-budgeted connect-the-dots comic book caper feel so incoherently stiff and aimless?
The dour randomness of **Batman v Superman: Dawn Of Justice** is quite disappointing because this moping actioner wants to grab more than it can chew in its crowded mouth. Snyder and screenwriters David S. Goyer and Chris Terrio aspire to plug in such contemplative issues pertaining to moral ambivalence, political platitudes and religious themes but none of these factors energize or sustain this action-packed narrative that seems to slouch all at the expense of a sluggish approach to the mechanical hedonism that labors.
There is no doubt that **Dawn of Justice** has its share of visual opulence as this is obviously expected in an expansive superhero saga where the proven selling point are two mythical comic book titans spearheading the pumped-up proceedings. Again an overreaching script that plods along, a couple of super-powered sourpusses going the moody motions and the lack of carefree robust action undermine the potential explosiveness that **Dawn of Justice** could have capitalized on with dynamic aplomb.
Sure, there is a noted curiosity and interesting element about the topic of “heroism fatigue” and hidden demons that could have certainly contributed to the psychological strain for our Caped Courageous Ones. Still, **Dawn of Justice** never quite turns this premise into a sparkling case of burn-out conviction, Instead, knuckle-dragging duo of Bruce Wayne/Batman (Affleck) and Clark Kent/Superman (Cavell) make the common sleeping pill look like an excitable bag of M&M candy treats. Thankfully, another fan favorite superhero in the form of Wonder Woman (Gal Godot) is thrown into the mix to break up the monotony of the boorish Boys Club. Unfortunately, the appearance of the wily Wonder Woman during the tail end of the second half is too little and too late for her welcomed presence to rescue the film’s clunky pacing.
Gotham’s Bruce Wayne and Metropolis’s Clark Kent are experiencing setbacks that could be perceived as reaching the depressive crossroads. For starters, a maturing Wayne’s/Batman’s crime-fighting prospects have been tailing off drastically. As for Kent/Superman his existence at the Daily Planet newspaper seems mundane especially when his boss in editor Perry White (Laurence Fishburne) declares that the public has moved away from print given the major impact of social media and other online resources. So yes…Wayne and Kent are in a critical funk in their professional lives both in and out of their familiar costumes. However, can the slumping cities afford two down-and-out superheroes when one can probably carry the load in rough, unsure times?
When the film establishes the dilemma that there can be only one muscle-bound ego to handle the affairs of the region’s unprotected this is where the **Batman v Superman** portion of **Dawn of Justice** looks as if the frenetic fantasy will percolate. Inexplicably, the hype involving the sparring twosome is put on hold as the exposition takes its tedious time building up the conflict to satisfy the clashing insecurities of the capable caped crime-stoppers. For those that witnessed Cavell’s mediocre **Man of Steel** a few years ago will probably understand the current bad blood that exists between the two super studs. Whatever the case both Batman and Superman have pegged each other as brawny bad news ambassadors…something that does not sit well with either struggling superhero as their revered reputations are on the line.
Naturally, there are other outside forces to consider as the acrimonious overtones continue to flow between the brooding mega-powers. The famed instigator in Superman foe Lex Luthor (Jesse Eisenberg) is realized as the high-tech billionaire nuisance that has an underlying scheme to eradicate both bickering super powers once and for all but not before Luthor pronounces his take on philosophical tirades. In the meantime, Lois Lane (Amy Adams) is on board to profess her undying love and support for her desired dreamboat Superman. Luthor loathing Superman while Lane fantasizing about her strong flashy fly boy. In other words it is business as usual. While Superman is trying to figure out his place in the sun Snyder piles on the bothersome dreamy anxieties that plague the aging Wayne.
**Batman v Superman: Dawn of Justice** is a jumbled mess. Snyder undertakes a convoluted production and tries to sell it as a sophisticated meeting of the misplaced minds between two embattled entities embroiled in uncertainty and super-sized cynicism. Still, Snyder’s vision is mishandled as he seems to have forgotten one crucial point–simply making an action movie that registers with genuine thrills. One cannot help but stumble upon the pretentiousness and piousness that ruins this boneless blockbuster. The film finally decides to stack on the combinations of boisterous match-ups involving everyone but the kitchen sink but all comes off as frivolously forced. Cavell was never really an enticing Superman ever since he donned the big “S” on his chest back in 2013’s** Man of Steel**. Affleck’s Batman is a little more palatable but the constant scowl (both on his face and on the mask) is too much to digest. One would not mind yelling at the screen for Affleck’s alter ego to lighten up a bit.
The supporting players are virtually wasted in this exhausting CGI popcorn pleaser. Eisenberg, normally a trustworthy performer with considerable scope, merely irritates as the punkish techno-magnate Luthor. The always radiant Adams is a wash as the gushing Lois Lane. Oscar-winner Jeremy Irons’s Alfred the butler won’t make anyone forget Micheal Caine’s take on Wayne’s trusty man servant anytime soon. Even the reliably adventurous Oscar-nominated actor Michael Shannon cannot exuberantly bring to life the menacing presence of Zod.
Humorless and hackneyed, **Batman v Superman: Dawn of Justice** will probably satisfy indiscriminate devoted fans that will buy into the proposed heralded rivalry. As for others, they will wonder what lies ahead in terms of other League of Justice movies that hopefully can muster up more entertaining stimulation than this over-indulgent doomsday dud. Is anyone up for **Wonder Woman vs. Redwing** with an empowering feminine twist?
**Batman v Superman: Dawn of Justice** (2016)
Warner Bros. Pictures
2 hrs. 30 mins.
Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Diane Lane, Gal Gadot, Holly Hunter, Michael Shannon, Ray Fisher
Directed by: Zack Snyder
MPAA Rating: PG-13
Genre: Science Fiction/Fantasy/Action and Adventure/Superhero Saga
Critic’s rating: ** stars (out of 4 stars)
(c) Frank Ochieng A bit slow but overall good. There are many sub plots in the movie that could've been made into independent movies of their own. > Know your enemy's weakness before challenging to a fight!
It is known that critics have no brain. It is the best Superman film as Henry Cavill in the red and blue suit. Yep, I know it is always DC versus Marvel, so it is then DC's reply to the 'Avengers'. I don't care their rivalries, as a film fanatic, I enjoy good films and I found it was so good. But I was a bit worried after the Superman was shown in a dark shade in the trailer, especially after Batwan was overly stylised by Nolan, I thought the black suit would take over. After watching the film I was relieved and happy that Batman was exposed.
Batman fans might have been disappointed, but for the superhero and DC fans, this film is a great treat. You can't compare it with 'Avengers', it had its own style. It follows the 'Man of Steel' and directed by the same director. Excellent cast. I have never been the Ben Affleck hater, so I had no objection to his role in this. He did good along with Cavill and others. He would do better in his solo Batman films if Zack Snyder is retained to script and direct them.
I'm not a comic book reader, so I did not know the story before the watch. I was surprised for the Wonder Woman's part in the film. The visuals were awesome, the story was unpredictable, well developed characters, cleverly composed scenes, wonderful stunt sequences and the film's overall tone was kind of dark and gloomy, a very satisfying superhero film. The content balance was perfect, but the characters did not do the same as we know Superman is a father of all superheroes.
I already watched it twice and I can't wait for its sequel. Especially looking forward for Jesse Eisenberg, because he was kind of stayed low in this and I hope his character Lex becomes much stronger. It is a PG13, and there's nothing botherable stuffs in it for the underage audience, but I felt it is targeted for adults because of the matured flavour. Don't think about that I said, just watch it, it will definitely entertain you well if not blow you away. Surely recommended to all.
8/10 I still have faith in the DCU but this movie had problems. Watch my full review here.
http://www.hweird1reviews.com/allreviews/bvsreview As I write this review I have just had a thoroughly disappointing movie experience and it so just happens that I have some strong feelings about the source material for this movie so be prepared for a bit of ranting and a few more “adult” words than usual.
I have to say that I bought this movie only because I felt I wanted it in my collection just for it to be complete. I was really expecting to be, shall we say, not impressed. A movie about Batman and Superman, heroes that I grew up with, fighting is not my kind of movie.
In the end I realized that my expectations of crappines was not enough. I really disliked this movie. In short succession this movie turns several of my childhood heroes to bad guys and the greatest superman bad guy into a unstable hippie-like jerk that goes through the movie behaving like he is a drug addict. So basically this movie went drown the drains for me straight away and then I have not even gotten started about the plot. Actually I felt so annoyed over this crap that I actually spent time taking notes while I was watching.
Let me see what I noted. Lex Luther is a fucking joke. Alfred, the same. Jimmy Olsen a fucking CIA agent? You got to be fucking kidding me! And not only does he screw Lois Lane but gets himself shot after a few seconds of screen time.
Same stupid nonsense about XXX being too powerful, is a threat and needs to be government controlled that has been used in hundreds. if not thousands, of crappy low and high budget action movies. I hate that crap. It is stupid, stupid, stupid.
Weird and totally uninteresting dream scenes, what the f... did the writer smoke? If they wanted to pad the movie it a) was a crappy way of doing it and b) why? With over three hours (Ultimate Edition) it is way to long for such a crappy movie anyway.
Oh, here is a (somewhat) positive note at least. It was indeed rather funny that they had chosen CNN to spew out the nonsense conspiracy theories about Superman being responsible for the bomb in the wheelchair. Fake news anyone?
I had a little bit of enjoyment of the movie during the last part of the movie when it finally turned into a bit of action. Batman’s car and plane was cool. The action, once Batman getting knocked on his head enough to get to his senses again, was a nice chunk of CGI goodness. That I have to admit.
Okay, after three, mostly painful, hours the movie finally comes to an end. And what an end. Meh!!! Not only was it a crappy ending but they managed to drag it out forever with excruciatingly boring scenes.
I am sure a lot of the above can be said to be subjective. For instance my dislike of the way my childhood characters where treated. I am not a professional reviewer though so this is my personal take of the movie. If you don’t like it, fine with me and good for you but do not feel obliged to tell me about it. Very short synopsis : Batman has been hit hard by the events of Man of Steel : a "god" descends on earth, is confronted by another god, and they fight, killing thousands of humans. He learns about a rock coming from his birth planet that can weaken or kill him. It's the property of Lex Luthor, who could target Superman too, but with evil purpose.
So I won't go deeper in the story. This movie, unlike most other superhero movie, is targeting adults. I don't mean 18 or 21 year old, I mean mature beings that have endured bad things in life, and have taken the time to see the goods and bads of humanity. Yes, not the Marvel (Guardians of the galaxy, Ant man) target audience. Batman makes it clear (rejoined by the senator) : if a being is so powerful he can't be killed and can kill thousands, even if for now he does good, what happens if he becomes a villain? What laws or weapons can stop him?
Now going back to the movie and how it presents its argument. We have Batman's introduction to the new DC movie universe (death of parents, tortured psyche ...) done during the opening credits. That is both efficient and powerful. Then we see Bruce Wayne at the time of the Superman / Zod battle. We also see humans being scared and killed. So, yeah it's superhero movie making not showing merry world with superheroes saving humans. And doing funny quotes. It's people (or super people) facing tragedy and growing up to see how the future has to be settled. And then a new villain appears. Or rather, he appears as a careless billionnaire showing off - how could he be perceived as dangerous? He has the chance of having Batman wanting to take down Superman, when he wants the same thing, so he can go for his secondary plan to use Krypton technology to change the world.
So the last part of the movie is the fight of 3 super heroes against a creature created by the "god"'s technology and humanity's madness/evilness. Yes, it's not a villain that is there because you need one to fight the bad guys, it's yet another consequence of Kryptonians coming to earth.
So the films rolls out and I'm so stunned by the content I feel I was treated as a human being, not as a popcorn eating teenager or a comics fan. Just as someone that could appreciate great movie making. I don't understand the hate people had with this film. I thought it was brilliant. Sure, I had my doubts of Gal Gadot as Wonder Woman, but halfway through the end those doubts were put to rest. And Ben Affleck was amazing as the latest incarnation of Batman. It was a long time since the actor did a superhero movie (Daredevil). My only critique was Jesse Eisenberg's portrayal as Lex Luthor - really cringing for me. Didn't do justice for the character (no pun intended)! Michael Fassbender would've been a more suitable role.
Anyway, this film...it was a Zack Snyder masterpiece.
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Jeepers Creepers Magyar cím (Korhatár): Jeepers Creepers (12E) Jeepers Creepers Eredeti cím: Jeepers Creepers Jeepers Creepers Műfaj: Horror, Thriller Játékidő / Technikai információ: – perc Jeepers Creepers Mozipremier : 11 August 19 7 6 Jeepers Creepers Forgatókönyvíró: Francis Ford Coppola, Hank Amos, Nancy Kirhoffer, John Hines, Barry Opper, Barry Opper, Kimberly Mullen, Willi Bär, Victor Salva, Victor Salva Jeepers Creepers Filmstúdió: United Artists, American Zoetrope, Cinerenta Medienbeteiligungs KG, Cinerenta-Cinebeta, VCL Communications Jeepers Creepers szereplők : Gina Philips, Justin Long, Jonathan Breck, Patricia Belcher, Eileen Brennan, Brandon Smith, Peggy Sheffield, Jeffrey William Evans, Patrick Cherry, Jon Beshara
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Siblings Darius and Trish are driving home from college through rural America. They have a brief run in on the road with the driver of a beat up van, later on, on the road side, they observe weird goings-on from the driver of said van, an observation that puts both of them in immense danger.
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